Tum Agar Saath Dene Ka Vaada Karo
Last updated: 31/7/2026
🎤 Ravi🎼 Key: B MajorLevel: Intermediatechords
A beautiful Bollywood song by Ravi with soulful guitar chords and strumming patterns.
Guitar Chords
Key0
Size16
## Chords Used
B--E--F#
B Tum Agar Saath Dene KaE Vada Karo
MaiB Yunhi MastE NagmeB Lutata Rahu
B Tum Mujhe Dekh Kar MuskuE rati Raho
MaiB Tumhe DekhE Kar GeetB Gata Rahu
B Kitne Jalwe FizaonmeF# Bikhare Magar
MaineE Ab Tak Kisi KoB Pukara Nahin
B Tumko Dekha To Nazre YeF# Kehne Lagi
HumkoE Chehre Se HatnaB Gavara Nahin
B Tum Agar Meri Nazron KeE Aage Raho,
Mai HarB Ek Shaiy SeE NazreB Churata Rahu
B Maine Khwabon Mein BarsonF# Tarasha Jise
TumE Vahi Sang-E-Marmar KiB Tasveer Ho
B Tum Na Samjho TumharaF# Muqadar Hu Mai
MaeinE Samajhta Hoon Tum MeriB Taqdeer Ho
B Tum Agar Mujhko ApnaE Samajhne Lago
MenB Bahaaron KiE MehfilB Sajata Rahoon,
## 🎸 Song Overview & Key
This romantic Bollywood ballad is rooted in **B Major**, a key that lends itself beautifully to emotional, soulful melodies. The mood is tender and longing, with a melancholic undertone that matches the lyrics’ themes of love and yearning. The tempo is moderate, around **60-65 BPM**, allowing for expressive phrasing and dynamic swells. One standout characteristic is the use of **F# minor** chords, which add tension and depth, creating a bittersweet contrast to the major chords. The song’s structure leans heavily on repetition, making it ideal for practicing smooth transitions and emotional delivery.
## 📐 Chord Progression Analysis
The song revolves around **B Major, E Major, and F# Minor** chords, with occasional shifts to **C# Minor** and **D Major**. The progression often follows **I - IV - VII** (B - E - F#) patterns, which create a sense of unresolved tension—a fitting match for the song’s themes of unfulfilled desire. For example, the line *“Tum Agar Saath Dene Ka Vada Karo”* uses **B - E - B**, a simple but effective triplet that emphasizes the emotional plea in the lyrics. The **F# minor** chord (VII) acts as a pivot, adding drama before resolving back to B. Roman numeral analysis shows a mix of **I - IV - VII - ii** movements, which are common in Indian classical and Bollywood music to evoke longing and resolution.
## 🖐️ Fingering & Technique Tips
For **B Major**, use a **barre chord** with your index finger on the 2nd fret, ensuring your fingers are arched to avoid muting strings. If barres feel too challenging, try an **open B7 voicing** (2nd fret on 2nd string, 4th fret on 3rd string) for easier transitions. The **F# minor** chord can be simplified by using a **partial barre** on the 2nd fret (covering only the top four strings) and fretting the 4th string at the 3rd fret with your ring finger. Practice **smooth transitions** between B and E by keeping your fingers close to the fretboard and using minimal movement. For example, when moving from B to E, lift your index finger off the 2nd fret and place it on the 7th fret (for E) without shifting your hand position entirely.
## 🥁 Strumming Pattern & Rhythm
Use a **medium-paced strumming pattern** with a focus on **dynamics**:
- **Verses**: Start with a **down-up-down-up** rhythm, keeping it soft and intimate.
- **Choruses**: Add **syncopation** by emphasizing the off-beats (e.g., *down-up-up-down*), and increase volume for emotional impact.
The song is in **4/4 time**, with a steady pulse that mirrors the lyrical flow. Pay attention to **phrase endings**—pause slightly after each line to let the emotion linger.
## 🎵 Song Structure Walkthrough
The song follows a **Verse - Chorus - Verse - Chorus - Bridge - Chorus** structure.
- **Verse 1** (*“Tum Agar Saath Dene Ka…”*) uses **B - E - B** progressions, with the **F# minor** chord introduced in the second verse for added tension.
- **Choruses** (*“Tum Agar Meri Nazron Ke…”*) feature **B - F#m - E - C#m** progressions, building intensity before resolving back to B.
- The **Bridge** (*“Maine Khwabon Mein Barson…”*) shifts to **D Major** for a momentary change in mood, creating a sense of hope before returning to the chorus.
## 💡 Pro Practice Tip
Focus on **emotional phrasing** by practicing each line with **dynamic contrast**. For example, in the line *“Tumko Dekha To Nazre Ye Kehne Lagi,”* play the **F# minor** chord softly, then gradually increase volume on the **E Major** chord to mirror the lyrics’ shift from hesitation to boldness. Use a metronome to ensure your strumming stays steady, and record yourself to refine your tone and timing.