Three Little Birds

Last updated: 3/8/2026

🎤 Bob Marley🎼 Key: A MajorLevel: Beginnerchords

Learn to play Three Little Birds by Bob Marley with these easy guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
A--D--E

dontA worry about a thing
CozD every little thing gonna beA alright
Singin'A dont worry about a thing
CozD every little thing gonna beA alright
A Rise up this mornin'
Smile with theE rising sun
Three littleA birds perch by myD doorstep
Singin'A sweet songs
Of melodiesE pure and true
D Sayin' this my message toA you-oo-oo
Singin'A dont worry about a thing
CozD every little things gonna beA alright
SinginA dont worry (dont worry) about a thing
CozD every little thing gonna beA alright
A Rise up this mornin'
Smile with theE rising sun
Three littleA birds perch by myD doorstep
Singin'A sweet songs
Of melodiesE pure and true
D Sayin' this my message toA you-oo-oo
A dont worry about a thing
CozD every little thing gonna beA alright
Singin'A dont worry about a thing
CozD every little thing gonna beA alright
A dont worry about a thing
CozD every little thing gonna beA alright
Singin'A dont worry about a thing
CozD every little thing gonna beA alright
A dont worry about a thing
CozD every little thing gonna beA alright
## 🎸 Song Overview & Key "Three Little Birds" is a calming, uplifting song rooted in reggae’s signature laid-back groove. The key is **A major**, which gives it a warm, sunny feel—perfect for Marley’s message of peace and positivity. The tempo is slow to medium (around 60–70 BPM), allowing the rhythm to breathe and the lyrics to shine. Musically, the song relies heavily on open chords and simple, repetitive progressions, making it ideal for beginners. The use of **A, D, E, and Bm** chords creates a reggae staple: the I-IV-V-I progression, with a touch of the ii chord (Bm) for added flavor. ## 📐 Chord Progression Analysis The core progression here is **A → D → E → A**, with **Bm** appearing in the second line of the verse. In Roman numerals, this translates to **I → IV → V → I**, with **ii** (Bm) acting as a passing chord. The IV (D) and V (E) chords create tension and resolution, a hallmark of reggae’s soulful sound. The Bm chord adds a subtle melancholic touch, contrasting with the major keys to highlight the song’s message of overcoming worry. This progression is cyclical and repetitive, which helps lock in the rhythm and makes the song easy to memorize. ## 🖐️ Fingering & Technique Tips For **A major**, use the open chord shape with your index finger on the 2nd fret of the B string (2nd fret, 2nd string). For **D**, place your index on the 2nd fret of the G string and ring finger on the 3rd fret of the B string. **E major** is straightforward—just strum all open strings. The **Bm** chord can be tricky: use your index on the 2nd fret of the G string, middle on the 3rd fret of the D string, and ring on the 4th fret of the B string. If this feels stiff, try a simplified version with just the first three fingers. Transitions between **D** and **E** are smoother if you keep your fingers near the fretboard. For **Bm**, practice shifting from **A** to **Bm** by moving your fingers up one fret. Use a light touch to avoid muting strings, and ensure your strumming hand stays relaxed to let the rhythm flow naturally. ## 🥁 Strumming Pattern & Rhythm A classic reggae pattern works here: **D-D-U-D-U-D-U** (down, down, up, down, up, down, up). Emphasize the offbeats (the "and" of each count) to capture the song’s syncopated groove. Keep the strumming soft during verses and slightly more percussive during choruses to highlight the lyrics. The time signature is **4/4**, with a steady, steady pulse. ## 🎵 Song Structure Walkthrough The song opens with a **chorus**, repeating the line “Don’t worry about a thing” over the **A → D → E → A** progression. The **verse** (e.g., “Rise up this mornin’”) uses the same chords but adds the **Bm** chord for variation. The structure loops between verse and chorus, with no bridge—just repetition of the uplifting message. Pay attention to the **dynamics**: softer strumming on verses and stronger, more rhythmic strumming on choruses to match the emotional shift. ## 💡 Pro Practice Tip Focus on **syncopation**—the “offbeat” strumming is what gives reggae its signature feel. Practice the chorus with a metronome set to 60 BPM, emphasizing the “and” of each beat. Once comfortable, layer in the chord changes and let the rhythm guide your playing. This will help you internalize the groove and play with more confidence.