Tere Chehre Me Wo Jaadoo Hai
Last updated: 26/7/2026
🎤 Kishore Kumar🎼 Key: F MinorLevel: Intermediatechords
A beautiful Bollywood song by Kishore Kumar with soulful guitar chords and strumming patterns.
Guitar Chords
Key0
Size16
## Chords Used
Fm--C--C#--G--G#
Fm Tere chehre me woh jadu hai
Fm Tere chehre me woh jadu hai
Fm Bin dor khinchaC jata hu
C# Jana hota haiC aur kahi
C Teri oar chalaFm aata hu
C Teri oar chalaFm aata hu
Fm Tere chehre me woh jadu hai
Fm Teri hire jaisi aankhe
Fm Aankho me hai lakho bate
Fm Bato me ras ki barsate
MujhmeG pyar kiG# pyasFm jagaye
Fm Tu jo ek najar dale
Fm ji uththe Marne wale
Fm lab Tere amrit ke pyaale
dil meG jine kiG# aasFm badhaye
C# Chal padte hain tereC sath
C Kadam mai rok nahiFm pata hu
C Mai rok nahiFm pata hu
Fm Tere chehre me woh jadu hai
Fm Jab se tujhko dekha hai
Fm Dekh ke khuda ko mana hai
Fm Manke dil yeh kehta hai
MeriG khushiyo kaaG# tu haiFm khajana
Fm Dede pyar ki manjuri
Fm Karde kami meri puri
Fm Tujhse thodisi duri
MujhkoG kartiG# haiFm divana
C# Pana tujhkoC mushkil hi
C Sahi pane ko machalFm jata hu
C Pane ko machalFm jata hu
Fm Tere chehre me woh jadu hai
Fm Bin dor khinchaC jata hu
C# Jana hota haiC aur kahi
C Teri oar chalaFm aata hu
## 🎸 Song Overview & Key
This soulful Bollywood ballad is in the key of **F minor**, with a melancholic yet romantic mood that reflects Kishore Kumar’s signature emotive style. The tempo is slow to moderate (around 60–70 BPM), allowing for expressive phrasing and lingering notes. The song’s unique charm lies in its **non-traditional chord choices**, like [C#] and [G#], which add a haunting, exotic flavor typical of Indian classical influences. These dissonant notes create tension that resolves beautifully into the [Fm] and [C] chords, giving the piece its signature emotional depth.
## 📐 Chord Progression Analysis
The progression revolves around **Fm** as the tonic, with **C** as the dominant chord, creating a classic minor-key foundation. The [C#] and [G#] chords act as passing tones, hinting at the **harmonic minor scale** (F, G, Ab, Bb, C, Db, E). This scale is common in Indian classical music and gives the song its mystical quality. The Roman numeral movement follows **i – VII – VI – III** (Fm – C# – G# – Ab), though the exact intervals might require adjustments for playability. The [C#] and [G#] chords are non-diatonic but work musically to evoke a sense of longing and drama.
## 🖐️ Fingering & Technique Tips
The **[Fm]** chord (barre across the 1st fret) is essential here. For beginners, use your index finger as a barre and place your ring finger on the 3rd fret of the 4th string. If barre chords are too tough, try an **Fm7 voicing** (root on the 2nd fret of the 3rd string) for easier fretting. The [C#] and [G#] chords are rare on a standard guitar—consider using **Cmaj7** and **Gmaj7** as substitutes for smoother transitions. For the [C], use a standard open C shape (3rd fret on the 5th string). Practice transitioning between [Fm] and [C] slowly, focusing on **even finger pressure** to avoid muting strings.
## 🥁 Strumming Pattern & Rhythm
Use a **soft, flowing strumming pattern** like **D D U D D U** (down, down, up, down, down, up) with your fingers or a pick. In the verses, keep dynamics **delicate**, emphasizing the [Fm] and [C] chords. In the chorus, add **subtle accents** on the [C#] and [G#] chords for drama. The time signature is **4/4**, with a steady pulse that mirrors the song’s emotional ebb and flow.
## 🎵 Song Structure Walkthrough
The song follows a **Verse-Chorus-Verse-Chorus** structure. The **intro** begins with [Fm], establishing the melancholic mood. Each **verse** uses [Fm] → [C] → [C#] → [G#] progressions, while the **chorus** repeats the iconic line “Tere chehre me woh jadu hai” over [Fm] and [C]. The **bridge** (around the “Ji uththe Marne wale” section) introduces the [G] and [G#] chords, creating a climactic build. Pay attention to the **dynamic shifts** between verses and choruses—play the chorus with more intensity to highlight the emotional peaks.
## 💡 Pro Practice Tip
Focus on **singing along while playing** to internalize the phrasing. This song thrives on **nuance**—experiment with **hammer-ons** and **pull-offs** on the [C#] and [G#] chords to add a vocal-like quality. For example, on the line “Mujhme [G] pyar ki [G#] pyas [Fm] jagaye,” use a **hammer-on from G to G#** on the 3rd string to mimic the vocal inflection. This technique will help you capture the song’s soulful essence more authentically.