Tauba Tumhare Ye Ishaare

Last updated: 27/7/2026

🎤 Abhijeet Bhattacharya, Alka Yagnik🎼 Key: E MajorLevel: Intermediatechords

A beautiful Bollywood song by Alka Yagnik with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
E--A--B--C#m--F#m--F#--D

E Tauba tumhare yeh ishare
E Hum to deewane hain tumhare
E Raaz yehA kaiseB kholE rahi ho
Tum aanC#m khon seB bolE rahi ho
F#m Jaadu aate hain tumkoE saare
E Tauba tumhare yeh ishare
E Hum to deewane hain tumhare
E ChhooA lete hoB taar joE dil ke
E Tum hiC#m bataoB tum seE mil ke
F#m Jaan-o-dil koi kyun naE haare
E Jism damaktaF# jaaduE jaadu
E Zulf ghaneriF# khushbooE khushboo
D Saansein hamaariA mehki mehki
NazreinB tumhari behkiE behki
E Tumhara badan hai jaiseB chaman
F#m Hosh udaa de yehE nazaare
E Tauba tumhare yeh ishare...
E Koi nasha haiF# chhalkaE chhalka
E Hosh bacha haiF# halkaE halka
D Hum hain jaiseA khoye khoye
JaageB lekin soyeE soye
E Machalti raho pighaltiB raho
F#m Baahon ke ghere meinE hamaare
E Tauba tumhare yeh ishare...
## 🎸 Song Overview & Key "Tauba Tumhare Ye Ishaare" is a romantic, sultry Bollywood number that thrives on emotional intensity and melodic richness. The song is in **E Major**, a key that lends itself perfectly to the expressive, longing tones characteristic of Alka Yagnik’s vocal style. The tempo is moderate (around 60–65 BPM), allowing for smooth, flowing phrasing. One standout musical feature is the use of **C#m and F#m chords**, which add a touch of melancholy and sophistication to the progression. The interplay between the E Major tonic and the D chord (a borrowed chord from the parallel minor) creates a sense of tension and resolution that mirrors the song’s emotional depth. ## 📐 Chord Progression Analysis The chord progression revolves around **E Major** as the home base, with frequent use of **A (IV), Bm (V), C#m (vi), F#m (ii), and D (vii°)**. This creates a mix of diatonic and chromatic movement, giving the song its dramatic flair. For example, the transition from **E → A → Bm** follows a classic I–IV–V pattern, providing a strong foundation for the verses. The **C#m and F#m chords** add color, while the **D chord** (a diminished triad in E Major) introduces a haunting, unresolved tension that resolves back to E. Roman numerals show a mix of **I–IV–V–vi–ii–vii°**, with the D chord acting as a pivot to shift between major and minor tonalities. ## 🖐️ Fingering & Technique Tips The **C#m and F#m chords** can be tricky for beginners. For **C#m**, try using a 4th-finger barre on the 12th fret (if you’re using a capo, adjust accordingly) or simplify with a **C#m7 voicing** (root on the 6th string, 12th fret, with 3rd and 5th fingers on the 14th and 15th frets). For **F#m**, a **barre chord** on the 2nd fret (with the root on the 6th string) works well, but if that’s too hard, use a **partial voicing** (e.g., 3rd finger on the 2nd fret of the 5th string, 2nd finger on the 2nd fret of the 4th string). The **D chord** (likely a **D Major** here, given the context) should be played with a **barre on the 2nd fret** for a full sound. Practice transitioning between **E → A → Bm** slowly, focusing on smooth finger movements. ## 🥁 Strumming Pattern & Rhythm Use a **gentle, syncopated strumming pattern** like **↓↑↓↑↓↓↑** (down, up, down, up, down, down, up) to match the song’s sultry rhythm. In the **verses**, keep the dynamics soft and intimate, emphasizing the **E and A chords** with light, arpeggiated strums. In the **chorus**, add more energy by strumming fully across the strings, especially on the **F#m and D chords**. The time signature is **4/4**, typical of Bollywood music, with a steady pulse that allows for expressive phrasing. ## 🎵 Song Structure Walkthrough The song follows a **Verse → Chorus → Verse → Chorus → Bridge → Chorus** structure. The **verses** (e.g., “Tauba tumhare yeh ishare”) use the **E–A–Bm–C#m** progression, while the **chorus** (“Jaan-o-dil koi kyun na haare”) leans on **E–F#m–D–E** for emotional build-up. The **bridge** (“Jism damakta jaadu jaadu”) introduces the **F#m and D chords** more prominently, creating a dramatic shift. Pay attention to the **chord changes on the word “isaare”** in the verses and the **“nasha hai”** line in the chorus, where the strumming pattern shifts to highlight the melodic phrases. ## 💡 Pro Practice Tip Focus on **smoothing out the transition between E and D chords** in the chorus. Practice this pair slowly with a metronome, ensuring your fingers move efficiently. Once comfortable, add a **hammer-on from the E’s 3rd-fret high E string to the D’s 2nd-fret B string** for a more authentic, expressive sound. This small detail will make your playing feel more connected to the song’s emotional core.