Qayde Se
Last updated: 26/7/2026
🎤 Arijit Singh, Papon🎼 Key: B MajorLevel: Intermediatechords
A beautiful Bollywood song by Arijit Singh, Papon with soulful guitar chords and strumming patterns.
Guitar Chords
Key0
Size16
## Chords Used
B--A--E--D
jo B aadat hui hai A mujhe
A Lag raha hai E qayde se ab
moha B bbat hui hai A mujhe
A Dil jala ke mus E kurane ki
jo B aadat hui hai A mujhe
A Lag raha hai E qayde se ab
moha B bbat hui hai A mujhe
A Meri tumhi se hai jawabdari,
E naraazgi bhi dher saari
D Tumhein harane ki zid mein,
E ye zindagi tumhee se haari
A Agar kabhi tumhein rulaya,
E kaha mujhe bhi chain aaya
D Asal men dil nahi tumhara,
E khud hee ka dukhaya
Kya A batau dard E leke,
kitni B raahat hui hai A mujhe
Lag A raha hai E qayde se
ab moha B bbat hui hai A mujhe
Thikana D jaha tumhara,
wahi ghar hai A mera (Aah)
Hai kaandha D jaha tumhara,
wahi sar hai A mera (Aah)
A Dono chale to hai kasam dilake,
E chalenge to kadam milake
D Yaha talak pahuche bhi hai
E yakeen mein bharam milake
A Qarar ki tumhee wajah ho,
E kabhi lage tumhee saza ho
D Tumhee se hai takleefe bhi,
E tumhee to maza ho
A Pehle se bhi aur E pyaari,
ab ye B halat hui hai A mujhe
A Lag raha hai E qayde se ab
moha B bbat hui hai A mujhe
A Dil jala ke mus E kurane ki
jo B aadat hui hai A mujhe
A Lag raha hai E qayde se ab
moha B bbat hui hai A mujhe
## 🎸 Song Overview & Key
"Qayde Se" is a soulful, melancholic ballad that blends Bollywood’s emotional depth with Western pop sensibilities. The song is in the key of **B minor**, which gives it a haunting, introspective mood. The tempo is moderate (around 60–70 BPM), allowing for expressive phrasing and dynamic swells. One standout characteristic is the interplay between major and minor chords—like the **D major** and **Bm**—which creates a bittersweet tension, a hallmark of Arijit Singh’s vocal style. The melody often lingers on minor chords, but the occasional major chord (like E or A) adds a touch of hope, making it emotionally rich for guitarists to explore.
## 📐 Chord Progression Analysis
The chord progression revolves around **Bm, A, E, and D**, with the **D major** chord acting as a tonal anchor. The movement follows a **i–ii–III–IV** pattern in B minor, which is unconventional but effective. For example, the line *jo [Bm] aadat hui hai [A] mujhe* uses a **Bm to A** progression—a half-step motion that feels urgent and raw. The **A to E** shift (ii to III) adds a sense of longing, while the **E to D** (III to IV) resolves with warmth. This mix of minor and major chords creates a "dual emotion" that mirrors the song’s theme of love and regret. The Roman numeral analysis shows how the progression leans into the **natural minor scale** but borrows from the **major scale** for emotional contrast.
## 🖐️ Fingering & Technique Tips
The **Bm chord** (especially the 6th-string voicing) is crucial here. Place your 2nd finger on the 2nd fret of the 3rd string, 3rd finger on the 2nd fret of the 2nd string, and 1st finger on the 1st fret of the 4th string. For smoother transitions, use a **partial barre** on the 2nd fret (covering strings 2–4) if needed. The **A chord** (open) and **E chord** (open) are straightforward, but practice switching between them slowly at first. The **D major** chord (with a 2nd-fret barre) might feel stiff—try using a **Dsus4** voicing (no 3rd fret on the 3rd string) for easier finger movement. Pay attention to the **Bm to A** shift; it’s a half-step, so your fingers need to move precisely.
## 🥁 Strumming Pattern & Rhythm
Use a **soft, rolling strumming pattern** like **D-D-U-D-U-U** (down, down, up, down, up, up) to mimic the song’s emotional flow. In verses, keep the strumming light and sparse, emphasizing the **Bm and A chords**. In choruses (like *meri tumhi se hai jawabdari*), add more intensity with fuller strums and a slightly faster pace. The time signature is **4/4**, and dynamics shift subtly between verses and choruses—think of the chorus as a "release" after the verse’s tension.
## 🎵 Song Structure Walkthrough
The song follows a **verse–chorus–verse–chorus–bridge–chorus** structure. The **intro** (first two lines) sets the mood with **Bm–A–E–D** progressions. The **verse** repeats this pattern, while the **chorus** adds the **D major** chord for resolution. The **bridge** (*thikana jaha tumhara*) introduces a new melodic line but stays within the same chord framework. Pay attention to the **transition from the bridge to the final chorus**—it’s a great spot to add a crescendo in your strumming.
## 💡 Pro Practice Tip
Focus on **phrasing the Bm chord with emotional weight**. In lines like *jo [Bm] aadat hui hai [A] mujhe*, let the Bm chord linger a beat longer than the A chord. This subtle delay creates a dramatic pause that mirrors the song’s lyrical meaning. Pair this with a **vibrato** on the high E string (when playing open chords) to add depth. Practice this in a mirror to ensure your hand movements are relaxed and expressive.