Pardesiyon Se Na Aankyaan Milana
Last updated: 30/7/2026
🎤 Mohammed Rafi🎼 Key: G# MinorLevel: Intermediatechords
A beautiful Bollywood song by Mohammed Rafi with soulful guitar chords and strumming patterns.
Guitar Chords
Key0
Size16
## Chords Used
G#m--D#--C#--B--A#
G#m Pardesiyo se naD# ankhiya miG#m lana
G#m Pardesiyo se naD# ankhiya miG#m lana
C# Pardesiyo ko haiB ik dinD# jana
PardesiG#m yo se naD# ankhiya miG#m lana
PardeG#m siyo se naD# ankhiya miG#m lana
G#m ....o...o..o...o
G#m Aati hai jab yeA# rut mastaani
G#m Aati hai jab yeA# rut mastaani
D# Banati hai koi naC# koi kaG#m haani
D# Banati hai koi naC# koi kaG#m haani
C# Ab ke baras dekheB bane kya faD# saana
ParadeG#m siyo se naD# ankhiya miG#m lana
G#m ....o...o..o...o
G#m Sach hi kaha haiA# panchhi inako
G#m Sach hi kaha haiA# panchhi inako
D# Raat ko thehare toC# ud jaeG#m din ko
D# Raat ko thehare toC# ud jaeG#m din ko
C# Aaj yahan kal waB han hai thiD# kana
ParadeG#m siyo se naD# ankhiya miG#m lana
G#m Baagonmen jab jabA# phool khilenge
G#m Baagonmen jab jabA# phool khilenge
D# Tab tab ye haraC# jaai miG#m lenge
C# Guzarega kaise pataB jhad ka zaD# mana
PardeG#m siyo se naD# ankhiya miG#m lana
## 🎸 Song Overview & Key
This soulful Mohammed Rafi classic is steeped in melancholy and longing, a hallmark of 1960s Bollywood ballads. The song is rooted in **G# minor**, a key that lends it a haunting, emotional depth. The tempo is moderate (around 60–65 BPM), allowing the lyrics and chords to breathe. What makes this song unique is its use of **non-diatonic chords** like D# (a major chord in a minor key), creating tension that resolves beautifully in the chorus. The blend of minor chords and the occasional major chord adds a bittersweet quality, typical of Rafi’s emotive style.
## 📐 Chord Progression Analysis
The song revolves around **G#m, D#, C#, and B**, with A# appearing in the later verses. The progression often moves from **G#m → D# → C# → B**, creating a cycle of tension and release. In Roman numerals (relative to G# minor):
- **i (G#m)** → **V (D#)** → **iv (C#m)** → **iii (B)**.
This movement uses **secondary dominants** (like D# as a V chord) to spice up the harmony, giving the song its dramatic flair. The **D# chord** acts as a pivot, leading smoothly back to G#m, while the **C# chord** adds a jazzy, unresolved feel. The contrast between minor and major chords (e.g., G#m vs. D#) mirrors the song’s theme of unrequited longing.
## 🖐️ Fingering & Technique Tips
The **G#m chord** (barre on the 6th fret) can be tricky for beginners. To simplify, use your index finger to barre the 6th fret across strings 6–2, and place your ring finger on the 8th fret of the 4th string (D). For **D#**, barre the 7th fret on strings 6–2, with your pinky on the 9th fret of the 3rd string (B). If barres feel stiff, try **partial barres** or use a **capo** (though the song specifies no capo). The **C# chord** (barre on 7th fret) can be eased by muting the 6th string with your pinky. Practice transitioning between **G#m → D#** slowly, focusing on **even pressure** and **smooth finger movement**.
## 🥁 Strumming Pattern & Rhythm
Use a **soft, flowing strumming pattern** like **D-D-U-D-U-D-U** (down, down, up, etc.) for verses, emphasizing the **backbeat** on the 2nd and 4th beats. In choruses, add **dynamic contrast** by muting the strings with your palm for a softer, more intimate feel. The time signature is **4/4**, common in Bollywood music. For the **"o...o...o..."** sections, use a **staccato strumming** with your fingers to mimic the vocal phrasing.
## 🎵 Song Structure Walkthrough
The song follows a **verse-chorus-repeat** structure. The **intro** (first two lines) uses the **G#m–D#** progression, setting the melancholic tone. The **chorus** (lines like *"Pardesiyo ko hai ik din jana"*) introduces the **C# and B chords**, adding emotional weight. The **"o...o..."** sections act as **bridges**, allowing for a shift in dynamics. In the **final verse**, the **A# chord** (barre on 8th fret) appears, creating a temporary modulation that resolves back to G#m. Pay attention to **phrase endings**—they often land on the **D# or G#m chord** for resolution.
## 💡 Pro Practice Tip
Master the **"G#m → D# transition"** by practicing it with a metronome at 50 BPM. Focus on **lifting your fingers quickly** after each chord to avoid muting strings. Once comfortable, gradually increase the speed while maintaining clarity. This will help you nail the song’s emotional nuances during performances.