Mere Paas Tum Ho

Last updated: 30/7/2026

🎤 Rahat Fateh Ali Khan🎼 Key: D MajorLevel: Intermediatechords

A beautiful Bollywood song by Rahat Fateh Ali Khan with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
D--Gm--G--Em--A#--C--Bm

D Bhool Janey Ka Hunar
D Mujh Ko Sikhatey Jao
Gm Ja Rahey Ho Too Sab Hi Naqsh
D Mitatey Jao
G Chalo Rasman Hi Sahi
Em Mud K Mujhey Dekh TooD Lo
Gm Todtey Todtey TaA# lluq Ko
NibhaD tey Jao
D Hmm..Hmm..
D Kabhi Kabhi Yeh Mujhey Sataye
C Kabhi Kabhi YehD Rulaye
D Kabhi Kabhi Yeh Mujhey Sataye
Gm Kabhi Kabhi YehD Rulaye
D Faqat MereGm Dil SeD Utar Jaiye Ga
D Faqat MereGm Dil SeD Utar Jaiye Ga
C BichadnaA# Mubarak,
C Bichad JaiD ye Ga
D Kabhi Kabhi Yeh Mujhey Sataye
Gm Kabhi Kabhi YehD Rulaye
D Main Samjha Tha Tum Ho
Bm Too Kia Aur Mangun
G Meri Zindagi Main
A# Meri AasD Tum Ho
D Main Samjha Tha Tum Ho
Bm Too Kia Aur Mangun
G Meri Zindagi Main
A# Meri AasD Tum Ho
D Ye Duniya Nahi Hai Mere Paas To Kya
C Mera YehA# Bharam Tha
C Mere PaasD Tum Ho
D Magar Tum SeGm Seekha
D Muhabbat Bhi Ho Too
C Dagha KijiA# ye Ga
C Mukar JaiD ye Ga
D Hmm..Hmm..
D Tera Haath Kal Tak
D Mere Haath Main Tha
D Tera Dil Dhadkta Tha Dil Mai Hamare
D Yeh MakhmoorGm Aankhain
JoD Badli Hoe Hain
C Kabhi Hum NeA# Inke HaiC SadqeD Utare
D Kahin AbGm MulaqaatD Hojaye Hum Se
C Bacha KarA# Nazar Ko
C Guzar JaaiD ye Ga
JeenaBm Hai,G Tere Bina
JeenaBm Hai,G Tere Bina
C Jeena Hai Ab Mujh KoD Terey Bina
## 🎸 Song Overview & Key "Mere Paas Tum Ho" is a soulful, emotionally rich ballad that sits in the key of **D minor**. The mood is deeply introspective, with a melancholic undertone that matches Rahat Fateh Ali Khan’s signature style. The tempo is moderate (around 60–65 BPM), allowing space for expressive phrasing and dynamic swells. One standout musical characteristic is the use of **altered chords** like [Gm] and [A#], which add tension and color, typical of Bollywood’s fusion of Indian classical and Western harmonies. The song’s structure leans heavily on repetition, with verses and choruses echoing emotional motifs. ## 📐 Chord Progression Analysis The chord progression revolves around **D minor** as the tonic, but with unexpected twists. For example, the [Bm] chord (a raised third in D minor) creates a bittersweet tension, while [Gm] (the iv chord) adds a sense of longing. The [A#] chord (a diminished seventh) introduces a haunting, unresolved feel, especially in lines like *“Tera Haath Kal Tak”*. Roman numeral analysis shows movement between **i (Dm), III (F), iv (Gm), and VII (C)**, with the [A#] acting as a borrowed chord from the harmonic minor scale. These shifts mirror the song’s emotional arc, building tension in verses and resolving in choruses with the return to [D]. ## 🖐️ Fingering & Technique Tips For [D] and [Bm], use **open-string voicings** to simplify fingerings. For [D], place your 2nd finger on the 3rd fret of the G string and 3rd finger on the 2nd fret of the B string. For [Bm], barre the 2nd fret with your index finger and use open strings for the remaining notes. The [Gm] chord can be tricky—try a **partial barre** on the 3rd fret (index finger) with your 2nd and 3rd fingers on the B and high E strings. If [A#] feels too complex, substitute it with a **C chord** for now, focusing on the emotional phrasing rather than perfection. Smooth transitions between [D] and [Bm] require **relaxing your wrist** to avoid stiffness. ## 🥁 Strumming Pattern & Rhythm Use a **gentle, flowing pattern** like *down-up-down-up* with your thumb and fingers, emphasizing the offbeats for a rhythmic pulse. In verses, keep the dynamics soft and intimate, using **light touches** on the strings. In choruses, increase volume and add **subtle palm muting** on power chords like [D] to heighten intensity. The time signature is **4/4**, with a steady, heartbeat-like rhythm. Pay attention to the **dynamics in lines like “Hmm..Hmm..”**—these should be whispered, almost like a sigh. ## 🎵 Song Structure Walkthrough The song opens with a **verse** in [D] and [Gm], setting a somber tone. The chorus repeats the [D]–[Gm]–[A#] progression, with the [A#] lingering on the last note for dramatic effect. The bridge (*“Main Samjha Tha Tum Ho”*) shifts to [Bm] and [A#], creating a pivot before returning to the chorus. Transitions between sections use **pedal points** (holding [D] while other chords change), so practice sustaining the root note with your thumb. The outro (*“Jeena Hai Ab Mujh Ko”*) fades with a **soft, descending arpeggio** in [D], leaving a lingering emotional residue. ## 💡 Pro Practice Tip Focus on **emotional storytelling** through dynamics. For example, in the line *“Kabhi Kabhi Yeh Mujhey Sataye,”* play the [D] chord with **full strumming** on “Sataye” but **mute the strings** on “Rulaye” to mimic the contrast between pain and sorrow. This subtle nuance will make your playing feel more human and connected to the song’s intent.