Manwa Laage

Last updated: 27/7/2026

🎤 Shreya Ghoshal, Arijit Singh, Vishal Mishra🎼 Key: C MajorLevel: Intermediatechords

A beautiful Bollywood song by Shreya Ghoshal, Arijit Singh, Vishal Mishra with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
C--Am--F--Gm--G--Dm--A#

ManwaC Lage.. o manwaC Lage
Lage reAm sawre
Lage reF sawre
Le tera huaC jiya ka,
Gm jiya ka,F jiya ka ye gaanvC re
MusafirG hoon main door ka
diwanaDm hoon main dhoop ka
mujhe naA# bhaye..naAm bhaye
naGm bhaye chhaaonC re..aey
ManwaC Lage.. o manwaC Lage
Lage reAm sawre
Lage reF sawre
Le tera huaC jiya ka,
Gm jiya ka,F jiya ka ye gaanvC re
C Aisi waisi boli tere nainon ne boli
Am jane kyun mai doli aisa lage teri ho li
F main..tu meG raa
C Hmm tune baat kholi kache dhago me piroli
Am baaton ki rangoli se na khelu aise holi
F main..na..teG raa
A# Oo..kisi ka tohF hoga hi tu
Dm kyun na tujheG main hi jeetu
Dm khule khaG bon mey jeeAm te hain
jeeGm te hain baawC re..aey..
Mann keC dhaage, o mann ke dhaage
Dhaage peAm saanwre
Dhaage peF saanwre
Hai likha meneC tera hi,Gm tera hi,
F tera hi to naamC re
C Aise dore dale kala jadu naina kale
Am Tere mai hawale hua sine se laga le
F Aa.. mainG tera
A# Dono dheemeF dheeme jalein
Dm Aaja donoG aise milein
Dm Zameen peG Lage, naAm tere,
naGm mere paanvC re
ManwaC Lage.. o manwaC Lage
Lage reAm sawre
Lage reF sawre
Le tera huaC jiya ka,
Gm jiya ka,F jiya ka ye gaanvC re
## 🎸 Song Overview & Key "Manwa Laage" is a romantic, soulful Bollywood track with a blend of soft, melodic verses and passionate choruses. The song is in the key of **C Major**, as evidenced by the prevalence of the C chord as the tonic. The mood is tender and heartfelt, with a moderate tempo (around 60–65 BPM), allowing for expressive phrasing. A standout musical characteristic is the use of **chromatic passing chords** like A# and Gm, which add emotional depth and a touch of Indian classical influence to the Western pop structure. ## 📐 Chord Progression Analysis The song’s progression revolves around **C, Am, F, and Gm**, with occasional shifts to Dm and A#. The Roman numeral analysis in C Major shows a mix of diatonic and borrowed chords: - **I (C) → ii (Am) → IV (F) → vii° (Gm)**: This creates a sense of tension and resolution, especially in the chorus, where the Gm chord (a diminished triad in C Major) adds drama. - The **A# chord** acts as a passing tone, smoothly transitioning between F and C in the bridge, mimicking the **raga-based microtonal shifts** common in Indian music. - The **Dm chord** introduces a subtle modulation, giving the song a bittersweet quality. These progressions work together by balancing stability (C, F) with emotional contrast (Am, Gm), mirroring the song’s theme of longing and connection. ## 🖐️ Fingering & Technique Tips - **C Major**: Use the standard open chord (index on B, middle on G, ring on C). For easier transitions, practice **partial barres** (e.g., just barring the B string). - **Am**: Place your index on the 2nd fret of the B string, middle on D, ring on G. Keep fingers close to the fretboard for clarity. - **F Major**: If barre chords are challenging, try a **simplified voicing** (1st fret E, 2nd fret A, 3rd fret C) or use a **capo (if allowed)**—though the song specifies no capo. - **Gm**: Use the 3rd fret on B, 3rd on G, and 3rd on D. This voicing blends well with C and F. - **A#**: This sharp chord is a challenge! Use a **barre on the 2nd fret** (B, G, D strings) and add the A# on the 2nd fret of the E string. Practice slowly to build muscle memory. ## 🥁 Strumming Pattern & Rhythm Use a **light, arpeggiated strumming pattern** for verses: **↓ ↑ ↓ ↑ ↓ ↑**, emphasizing the offbeats for a delicate, melodic feel. In choruses, switch to a **more rhythmic pattern**: **↓ ↓ ↑ ↓ ↑ ↓**, adding dynamics to highlight the emotional peaks. The time signature is **4/4**, with a subtle **syncopation** in the bridge (e.g., the A# chord in the line "kisi ka toh hoga hi tu"). Pay attention to **dynamic shifts**—soften during verses and crescendo in choruses for maximum emotional impact. ## 🎵 Song Structure Walkthrough - **Intro (0:00–0:10)**: Start with a gentle strumming pattern on the C chord, leading into the verse. - **Verse (0:10–0:30)**: Play the progression **C → Am → F → Gm**, focusing on smooth transitions. The line "Lage re sawre" uses the Am and F chords for a melancholic tone. - **Chorus (0:30–0:50)**: Shift to **C → Gm → F → C**, emphasizing the Gm chord for drama. The repeated "jiya ka" line uses the F and C chords for resolution. - **Bridge (1:00–1:20)**: Introduce the **A# and Dm chords** for a bittersweet twist. The line "jee te hain baaw re" uses the A# chord to create tension before resolving back to C. ## 💡 Pro Practice Tip Master the **A# chord transition** by practicing it slowly with a metronome. Focus on **barre stability** and **finger independence**—try isolating the A# chord and switching between it and F, then gradually speed up. This will help you navigate the song’s unique chromatic moments with confidence!