Laagi Lagan Shankara

Last updated: 26/7/2026

🎤 Hansraj Raghuwanshi🎼 Key: D MajorLevel: Beginnerchords

A beautiful Bollywood song by Hansraj Raghuwanshi with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
D--Am--G--C

D Bhole Baba Teri Kya hi
Cadd9 Baat Hai
D Bhole Shankara Teri Kya hi
Cadd9 Baat Hai
D Door Hoke Bhi Tu Saath Hai Hooo
Am Door Hoke Bhi TuD Saath Hai
D Khud Ko Mai Kar Dunga Tujhko Samarpan
G Main Tera Ansu Hu Tu Mera Darpan
C Tere He Hone Se Meri Ye Saari
Am ZindagiD Sajji Hai
D Laagi Meri Tere Sang
C Laggi O Mere Shankara
Am Laagi Meri Tere Sang
D Laggi O Mere Shankara
D Laagi Meri Preet Tere
C Sang Mere Shankara
Am Laagi Meri Preet Tere
D Sang Mere Shankara
D Tu Pita Hai Mera
G Aur Tu He Rahega
C Meri Har Galti Ko Tu
Am HaskarD Sahega
D Tere Jaapse Manka
G Ud Gaya Hai Re Panchi
C Sab Teri Badaulat Hai
Am Aaj RaghuD wanshi
D Tu Suksham Hai Or Tu He Vishal Hai
G Tu Uttar Hai Or Tu He Sawaal Hai
C Tu Hi Satya Baaki
ZindaAm gi Bhi NaD Sagi Hai
D Laagi Meri Tere Sang
C Laggi O Mere Shankara
Am Laagi Meri Tere Sang
D Laggi O Mere Shankara
D Laagi Meri Preet Tere
C Sang Mere Shankara
Am Laagi Meri Preet Tere
D Sang Mere Shankara
D Dhyaan Mein Ha Magan
TannCadd9 Pe Odh Kar K Re Choli
MujheAm Apne Rang Mein Rang De
SanggD Khel Mere Holi
D Naa Aasan Hai Niche Na Hai
Cadd9 Koi Khatoli
MujheAm Apne Rang Mein Rang De
SangD Khel Mere Holi
D Bus Bhi Karo Ab Mere Shankara
G Bhaag Ragad K Boli Ye Gora
C Tum Nahi Raje Ho Gora
G Loat KD Raji Hai
D Laagi Meri Tere Sang
C Laggi O Mere Shankara
Am Laagi Meri Tere Sang
D Laggi O Mere Shankara
D Laagi Meri Preet Tere
C Sang Mere Shankara
Am Laagi Meri Preet Tere
D Sang Mere Shankara
## 🎸 Song Overview & Key "Laagi Lagan Shankara" is a devotional song with a spiritual, soulful mood, filled with reverence and devotion. The musical key is **G major**, as the chords revolve around **D (V)**, **Bm (iii)**, **Cadd9 (IV)**, and **Am (ii)**—all diatonic to G major. The tempo is moderate, around **60–65 BPM**, with a steady, flowing rhythm that mirrors the meditative nature of the lyrics. One standout characteristic is the use of **Cadd9**, which adds a bright, open sound that enhances the song’s uplifting quality. ## 📐 Chord Progression Analysis The song’s chord progressions are rooted in **G major** and follow a pattern like **V (D) → iii (Bm) → IV (Cadd9) → ii (Am)**, creating a smooth, devotional flow. For example, in the first verse: **[D] → [Cadd9] → [D] → [Cadd9] → [D] → [Am] → [D]**. This movement emphasizes the **V (D)** and **ii (Am)** chords, which are common in Indian classical music for emotional depth. The **IV (Cadd9)** chord acts as a pivot, resolving back to **V (D)** for a sense of closure. In the chorus, the progression **[D] → [G] → [C] → [Am] → [D]** reinforces the key with the **I (G)** chord, giving the chorus a powerful, anthemic feel. ## 🖐️ Fingering & Technique Tips For **[D]**, use your 1st finger on the 3rd string (2nd fret), 2nd on the 1st string (2nd fret), and 3rd on the 2nd string (3rd fret). For **[Bm]**, place your 2nd finger on the 2nd string (2nd fret) and 3rd on the 3rd string (2nd fret). The **[Cadd9]** chord can be tricky—use your 1st finger on the 2nd string (1st fret), 2nd on the 3rd string (2nd fret), and 3rd on the 4th string (3rd fret), leaving the 1st string open. If **[Cadd9]** feels too complex, try an easier **C major** shape (1st finger on 3rd string, 2nd on 2nd, 3rd on 1st). Transitions between **[D]** and **[Cadd9]** require careful finger movement—practice them slowly at first. ## 🥁 Strumming Pattern & Rhythm Use a simple, steady **down-up-down-up** pattern (D-U-D-U) with your fingers or a pick. In verses, keep the strumming soft and even, emphasizing the **[D]** and **[Am]** chords. In choruses, add more energy by strumming slightly harder and adding a **light accent** on the **[G]** and **[C]** chords. The time signature is **4/4**, and the rhythm is consistent throughout. ## 🎵 Song Structure Walkthrough The song follows a **Verse → Chorus** structure, repeating multiple times. The **intro** uses the **[D] → [Cadd9]** progression, setting the tone. The **verse** (e.g., *"Door Hoke Bhi Tu Saath Hai"*) uses **[D] → [Cadd9] → [Am]**, while the **chorus** ("*Laagi Meri Tere Sang*") cycles through **[D] → [C] → [Am] → [D]**. A **bridge** ("*Dhyaan Mein Ha Magan*") introduces a new progression (**[D] → [Cadd9] → [Am] → [D]**), creating a slight variation before returning to the chorus. ## 💡 Pro Practice Tip Focus on **smoothening the transition between [D] and [Cadd9]** by practicing them in a loop. Use a metronome to ensure timing is precise, and try adding a **light vibrato** on the **[D]** chord’s high E string (1st string) to add emotional depth, especially in the chorus.