Kina Chir
Last updated: 28/7/2026
🎤 The Prophec🎼 Key: B MinorLevel: Intermediatechords
A beautiful Bollywood song by The Prophec with soulful guitar chords and strumming patterns.
Guitar Chords
Key0
Size16
## Chords Used
Bm--G--Em--A
KinaBm chir tenu dil ch luka ke rakheya
KiteG vakh na ho jaawin methoEm tuuuA uu
TenuBm sahan di larhi ch mai paro ke rakheya
KiteG sahan ton na ho jawin tuEm dooA or
Bm Main vi sangda Tu vi sangdi
G Kive bullan tonEm kahaA waan,
Bm Jo main chahwan Tuvi mangdi
G Jind naa tereEm lawaA an
KinaBm chir tenu dil ch
luka keG rakEm hyaA
KinaBm chir tenu dil ch
luka keG rakEm hyaA
AjjBm jaan ni main jaan tenu dena
GalG sang wali saari main
Em mita deniA aa.
PhotoBm dil de kone jo luka si mai rakhi
AjjG akhan de samneEm khada denaA aa.
Bm Takda hi jawan ena tenu chahwan
G Nazran tere tonEm hatwaanA main
TeraBm injh sharmauna
Bm Akhan nu jhukauna,
TenuG vekhda e thaan marEm jawanA mai
KinaBm chir tenu dil ch
luka keG rakEm hyaA
KinaBm chir tenu dil ch
luka keG rakEm hyaA
Bm Jithe tera raat ohi meri thaan
G Pyar di othe main tainu
Em Kar dawaA shaan
Bm Supne vi tu mera dil vi tera
G Tere kadman ch rakhanEm jaanA
Bm Marjana dil bas wich reya na
G Haa ane ni teri ajjEm karwauniA haa
Bm Tuvi armana nu lako ke rakheya
G Ajj pyar da tu karEm izhaarA
KinaBm chir tenu dil ch
luka keG rakEm hyaA
KinaBm chir tenu dil ch
luka keG rakEm hyaA
## 🎸 Song Overview & Key
"Kina Chir" is a soulful, melancholic song that blends Bollywood’s emotional depth with a rhythmic, danceable groove. The chords provided—[Bm], [G], [Em], and [A]—place the song in the key of **G major**, with a strong emphasis on the relative minor, **Bm**. The tempo is moderate (around 60–65 BPM), allowing for expressive phrasing and dynamic shifts. The musical character is defined by its **vi–I–iii–IV** progression, which creates a yearning, cinematic mood typical of Bollywood ballads. The use of [Bm] as the tonic chord adds a touch of Indian classical influence, with its minor tonality contrasting against the brighter [G] and [A] chords.
## 📐 Chord Progression Analysis
The core progression here is **[Bm]–[G]–[Em]–[A]**, repeating throughout verses and choruses. In Roman numerals (based on G major), this translates to **vi–I–iii–IV**. This movement is emotionally powerful: starting on the vi chord ([Bm]) creates a sense of longing, resolving to the I chord ([G]) for stability, then moving to the iii ([Em]) for warmth, and finally to the IV ([A]) for a bright, open-ended feel. The progression works because it follows the **circle of fifths** subtly, with each chord leading naturally to the next. For example, the [Bm] to [G] transition uses the **leading tone** (F# in [Bm]) to pull toward the [G] chord’s root. This creates a smooth, cinematic flow perfect for storytelling in the lyrics.
## 🖐️ Fingering & Technique Tips
The [Bm] chord can be tricky for beginners. Use the **easy 3-finger voicing**: place your index on the 2nd fret of the 3rd string, middle on the 2nd fret of the 2nd string, and ring on the 4th fret of the 1st string (shape: x24232). For [G], stick to the standard open chord (320003) to keep transitions smooth. When moving from [Bm] to [G], keep your ring finger on the 3rd string’s 2nd fret and slide it down to form [G]. The [Em] and [A] chords are straightforward, but practice **hammer-ons** between the 2nd and 3rd frets on the [A] chord for added flair. If [Bm] feels stiff, try a **partial barre** across the 2nd fret (index finger) with the other fingers in the same shape.
## 🥁 Strumming Pattern & Rhythm
Use a **mixed-down-up strumming pattern**: **↓ ↓ ↑ ↓ ↓ ↑** on the verses, emphasizing the offbeats to add rhythm. For choruses, switch to **↓ ↓ ↓ ↑ ↑ ↓** to highlight the [A] chord’s resolution. The time signature is **4/4**, with a steady, laid-back groove. Dynamics shift subtly: verses are softer with sparse strumming, while choruses demand more energy. Pay attention to the **[Bm]–[G]** transitions—strum gently on [Bm] to let the [G] chord “pop” into focus.
## 🎵 Song Structure Walkthrough
The song follows a **Verse–Chorus–Verse–Chorus–Bridge–Chorus** structure. The **intro** (first two lines) uses the [Bm]–[G]–[Em]–[A] progression, setting the mood. The **verse** repeats this, with the **chorus** emphasizing the [A] chord for emotional release. The **bridge** introduces a new rhythmic variation, using **[Bm]–[Em]–[A]** to build tension before returning to the chorus. Pay attention to the **[Bm]–[G]** transitions in the bridge—they’re smoother here, using a **hammer-on** from the 2nd to 3rd fret on the 3rd string.
## 💡 Pro Practice Tip
Focus on **voice leading** between chords. When moving from [Bm] to [G], keep the **3rd of [Bm] (D)** and the **5th of [G] (D)** aligned. This creates a smooth, melodic connection that makes the progression sound more natural. Practice this by holding the D note on the 3rd string’s 2nd fret while transitioning. It’ll make your playing sound more polished and expressive!