Jiya Jiya Re Jiya Re
Last updated: 26/7/2026
🎤 Neeti Mohan, A.R. Rahman🎼 Key: B MinorLevel: Intermediatechords
A beautiful Bollywood song by Neeti Mohan, A.R. Rahman with soulful guitar chords and strumming patterns.
Guitar Chords
Key0
Size16
## Chords Used
Bm--D--E--F#m--A--G
ChaliBm re ChaliD reE junooh koBm liye
Bm KatraD katra lamE ho koBm piye
PinjBm re seE uda dil ka shikBm ra
KhudBm hi se maine ishq kiF#m ya aa aa re
JiyaBm jiya re jiya re
JiyaD jiya re jiya re
JiyaF#m jiya re jiya re
JiyaA Oh oo ooo oo
JiyaBm jiya re jiya re
JiyaD jiya re jiya re
JiyaF#m jiya re jiya re
JiyaA O ohoo oo o oh
Chhote chhoD te lamhoA ko
Titli jaiG se pakdoD to
hatho meD rang reh jataA hai
Panko seF#m jab todoD to
Bm Wakht Chalta haiD Wakht ka magar
F#m rang utarta haiE akeera
Bm Udte udte firD ek lamha
maiF#m ne pakad liyaE re..ae.ae..
JiyaBm jiya re jiya re
JiyaD jiya re jiya re
JiyaF#m jiya re jiya re
JiyaA O ohoo oo o oh
Chhote chhoD te pardoA me
muskuG rana achha lagtaD hai
RoshniD jo deta hoA to dil
jaF#m laana achha lagataD hai
Bm Ek pal sahiD Umra bhar ise
F#m saath rakhnaE akeera
Bm Zindagi se phirD ek waada
maiF#m ne kar liyaE re.ae..e
JiyaBm jiya re jiya re
JiyaD jiya re jiya re
JiyaF#m jiya re jiya re
JiyaA O ohoo oo o oh
## 🎸 Song Overview & Key
"Jiya Jiya Re Jiya Re" is a soulful, romantic ballad rooted in the emotional depth of Indian classical and Bollywood music. The song sits in the key of **E major**, with a **relaxed, flowing tempo** (around 60–65 BPM). Its mood is tender and introspective, with melodic phrasing that feels like a heartfelt conversation. One standout characteristic is the seamless blend of minor and major chords, creating a bittersweet tension that defines the song’s emotional core. The use of **F#m** and **Bm** adds a touch of melancholy, while the **A** and **D** chords provide warmth and resolution.
## 📐 Chord Progression Analysis
The song’s chord progression revolves around **Bm, D, E, F#m, and A**. In Roman numerals (relative to E major), this translates to **vi, IV, I, ii, and III**. The movement between these chords creates a circular, meditative feel, typical of A.R. Rahman’s compositions. For example, the **Bm → D → E** sequence (vi → IV → I) is a classic “pulling back to the tonic” pattern, giving the music a sense of return and resolution. The **F#m** (ii) adds harmonic color, while the **A** (III) introduces a bright, unexpected twist that keeps the listener engaged. These chords work together because they share common tones (like E and A) and follow the natural flow of the scale, making transitions smooth and intuitive.
## 🖐️ Fingering & Technique Tips
For **Bm**, place your fingers on the 2nd fret (index: 2nd string), 4th fret (middle: 3rd string), and 3rd fret (ring: 4th string)—a compact shape that’s easy for beginners. The **D** chord uses the standard 0-2-2-2-2-0 shape; focus on keeping your fingers close to the fretboard for clarity. **E** is straightforward (0-2-2-0-0-0), while **F#m** can be tricky. Use a simplified voicing: 2nd fret on the 2nd string (index), 3rd fret on the 3rd string (middle), and 4th fret on the 4th string (ring)—this avoids the stretch of the full F#m shape. The **A** chord (0-2-2-0-0-0) is forgiving. For transitions, practice moving from **Bm → D** by sliding your index finger down from the 4th to 2nd fret on the 2nd string.
## 🥁 Strumming Pattern & Rhythm
Use a **gentle, arpeggiated strumming pattern** to match the song’s delicate mood. Try this pattern: **down, up, down, up** on the first two beats, then **down, down, up, up** on the third and fourth. In verses, keep the dynamics soft, emphasizing the **Bm** and **F#m** chords with a light touch. In choruses, add more energy by strumming all six strings on the **E** and **A** chords. The time signature is **4/4**, with a steady pulse that feels like a heartbeat.
## 🎵 Song Structure Walkthrough
The song follows a **verse → chorus → verse → chorus → bridge → final chorus** structure. The intro begins with the **chorus melody**, repeating the **Bm → D → E** progression. In the **verse**, the chords shift to **D, A, and F#m**, creating a narrative build-up. The **chorus** returns to the **Bm, D, E, F#m, A** cycle, with more dynamic strumming. The **bridge** introduces a new motif, using **D, A, and F#m** to heighten emotional intensity before resolving back to the chorus. Pay attention to the **Bm → F#m** transition in the bridge—it’s a subtle but powerful moment.
## 💡 Pro Practice Tip
Master the **Bm → F#m** transition by practicing it slowly with a metronome. Focus on keeping your fingers relaxed and avoiding unnecessary movements. Once comfortable, try adding a **hammer-on** from the **Bm** 3rd string (4th fret) to the **F#m** 3rd string (4th fret)—this adds a subtle, expressive flourish that mirrors the song’s vocal phrasing.