Hai Kasam Tu Na Ja
Last updated: 30/7/2026
🎤 Adnan Sami🎼 Key: A MinorLevel: Intermediatechords
A beautiful Bollywood song by Adnan Sami with soulful guitar chords and strumming patterns.
Guitar Chords
Key0
Size16
## Chords Used
Am--G--F
MeriAm neendon ki,G khwaabon ki
F Hai kasam tu naG jaa.
Oh meriAm jaan... hmmm hmm hmmm
Am Teri aankhon meinG dekh ke
Am teri baahon meinG jhoom ke main
Am Tere haathon koG choom ke
Am teri zulfon koG chhed ke
TereAm roop ki,G noor ki
F hai kasam tu naG ja
Oh meriAm jaan..G oh-o..
Oh meriAm jaan
Am Is raat koG thaam lo,
Am saari ghadiyaanG tod do na
Am Is chand koG bandh lo,
Am chadhte sooraj koG rok lo
IsAm chandniG raat ki
F hai kasam tu naG ja
Oh meriAm jaan..G oh-o..
Oh meriAm jaan
Am Aansoon kiG duaon main,
Am apne sar koG jhuka ke main to
Am Dono hathon koG jod ke,
Am tujhe maanga haiG rab se
MereAm sajdon ki,G duaon ki
F hai kasam tu naG ja
Oh meriAm jaan..G oh-o..
Oh meriAm jaan
## 🎸 Song Overview & Key
This soulful Bollywood ballad, *Hai Kasam Tu Na Ja*, is steeped in emotional intensity and romantic longing. The song is in the key of **A minor**, which gives it a melancholic yet passionate mood. The tempo is moderate (around 60-65 BPM), allowing for expressive phrasing and dynamic control. A standout musical characteristic is the use of **Am, G, and F chords** to create a haunting, unresolved tension, especially in the chorus. The frequent use of **Bm** adds a touch of Indian classical flavor, blending Western pop sensibilities with traditional Indian music.
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## 📐 Chord Progression Analysis
The core progression revolves around **Am → G → F → G** (and variations), with **Bm** appearing in the chorus for added depth. In Roman numerals, this translates to **i → VII → VI → VII**, creating a cyclical, almost hypnotic feel. The **Am** chord acts as the tonic, while the **G** (VII) and **F** (VI) provide color and movement. The **Bm** (iii) in the chorus introduces a minor-key twist, enhancing the song’s emotional weight. These chords work together because they share common tones (e.g., G and F both contain the note G), making transitions smooth. The progression leans heavily on **relative minors and majors**, a common technique in Bollywood music to evoke contrast.
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## 🖐️ Fingering & Technique Tips
For **Am**, place your 2nd finger on the 2nd fret of the B string, 3rd finger on the 2nd fret of the G string, and 1st finger on the 1st fret of the D string. For **G**, use a standard open chord shape. The **F chord** can be tricky—try using a simplified version with your 1st finger on the 1st fret of the E string, 2nd finger on the 2nd fret of the B string, and 3rd finger on the 2nd fret of the G string (skip the D string). For **Bm**, use a barre chord with your 2nd finger across the 2nd fret (A string to high E), or try an easier voicing with your 1st finger on the 1st fret of the D string and 2nd finger on the 2nd fret of the G string. Practice transitioning between **F → Am** slowly, focusing on lifting fingers early to avoid muting strings.
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## 🥁 Strumming Pattern & Rhythm
Use a **soft, flowing strumming pattern** like: **↓ ↑ ↓ ↑ ↓ ↑ ↓** (downstrokes on beats 1 and 3, upstrokes on 2 and 4). In verses, keep it gentle and legato; in choruses, add a slight emphasis on the **G** and **Am** chords for drama. The time signature is **4/4**, with a steady pulse. For the line *“Hai kasam tu na ja”*, use a **subtle syncopation** on the off-beats to highlight the emotional plea in the lyrics.
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## 🎵 Song Structure Walkthrough
The song follows a **Verse → Chorus → Verse → Chorus → Outro** structure. The **verse** uses the **Am → G → F** progression, while the **chorus** leans heavily on **Am → G** with **Bm** sprinkled in for contrast. The **second verse** mirrors the first, but pay attention to the **dynamic shift** in the chorus—play the **F chord** slightly softer to let the **Am** chord ring out. The **outro** repeats the chorus with a gradual fade, so ease off the strumming intensity as you reach the final line.
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## 💡 Pro Practice Tip
Master the **F → Am transition** by practicing it with a metronome at half speed. Focus on **lifting your fingers just before the next chord** to avoid muting. Once comfortable, add a **hammer-on from the 3rd fret of the A string to the 2nd fret** (in Am) for a subtle, expressive flourish—this is a common technique in Bollywood guitar solos!