Dhun

Last updated: 26/7/2026

🎤 Arijit Singh, Mithoon🎼 Key: D# MajorLevel: Intermediatechords

A beautiful Bollywood song by Arijit Singh with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
D#--Gm--F--Dm

D# Oh-oh-oh-oh
Shoh Gm ratein to nahi hain F mili
Naa Dm raees hoon main D# bada
Jeb Gm mein hai nahi kuch F magar
Aas D# hai jo wo F sun le Gm zara
Tere iss Gm dil ko churaa F ne ke liye
Hai Dm yahi ek D# dhun
Sanam ko Gm apna banaa F ne ke liye
Hai Dm yahi ek D# dhun? F
Hai Dm yahi ek D# dhun
Gm Mm-mm Hm-mm,
D# Oh-oh-oh-oh
F Jab bhi barsaat Gm aaye,
pal D# kon mein dhaank F lunga
Na F kami koi Gm khalegi,
tujhe D# itna pyaar Gm dunga
F Chaand-taare le Gm aaun,
hai D# ye to mumkin F nahi
Par F vaada hai ye Gm kasam se,
tere D# saath main ra Gm hunga
Ye main Gm daawa nahi kar F raha
Koi Dm Taj Mahal hai D# mera
Naam Gm ki chand deewarein F hain
Jinko D# hi ghar main F kehta Gm raha
Tere iss Gm ghar ko sajaa F ne ke liye
Hai Dm yahi ek D# dhun
Sanam ko Gm apna banaa F ne ke liye
Hai Dm yahi ek D# dhun? F
Hai Dm yahi ek D# dhun
## 🎸 Song Overview & Key "Dhun" by Arijit Singh is a soulful, romantic ballad with a slow, heartfelt tempo (around 60-70 BPM). The song’s mood is deeply emotional, with a blend of longing and devotion, typical of Bollywood’s softer ballads. Musically, the key is **D# minor**, though it’s an unusual choice that gives the track a unique, haunting quality. The chord progression leans heavily on minor chords and chromaticism, creating tension that resolves beautifully in the chorus. The song’s standout feature is its **modal interchange**—mixing minor and major chords to evoke a sense of yearning. ## 📐 Chord Progression Analysis The song’s progression revolves around **D#m, Gm, F, and Dm**, with occasional shifts to **A#m** and **C#m**. In Roman numerals (assuming D# minor as the key), this translates to **i, iv, VII, vi**, creating a non-traditional but emotionally rich flow. The **VII chord (F)** acts as a chromatic pivot, adding tension before resolving to the **vi chord (Dm)**. This movement mimics the emotional arc of the lyrics—building longing (F) and then softening into resolution (Dm). The **Gm (iv)** chord introduces a darker, more introspective tone, contrasting with the brighter **F (VII)**. These shifts are what make the progression feel so dynamic despite its simplicity. ## 🖐️ Fingering & Technique Tips The **D#m chord** is a challenge due to its high root note. For easier playability, use a **barre chord shape** with your index finger across the 4th fret (D#), then place your 2nd finger on the 5th fret of the B string (F#), 3rd on the 5th fret of the G string (G#), and 4th on the 5th fret of the high E string (F#). If this feels too tough, try an **open Dm shape** (root on the 2nd fret of the D string) and slide it up to the 4th fret for a simpler **D#m voicing**. The **Gm chord** (3rd fret barre) is more standard, but ensure your fingers are arched to avoid muting the strings. Practice transitioning between **D#m → Gm → F** slowly, focusing on smooth hand movements. ## 🥁 Strumming Pattern & Rhythm Use a **soft, flowing strumming pattern** with a 6/8 feel, mimicking the song’s vocal phrasing. Try: **down-up-down-up** with your wrist, emphasizing the **1st and 4th beats** of each measure. In the **chorus**, add a light **hammer-on** on the **F chord** (5th fret of the G string) to highlight the melody. Dynamics are key: **verse sections** should be **darker and softer**, while the **chorus** swells with more **emphasis on the D#m and F chords**. The time signature is likely **6/8**, giving the song a swaying, romantic rhythm. ## 🎵 Song Structure Walkthrough The song follows a **Verse → Chorus → Verse → Chorus** structure, with a **bridge** after the second chorus. The **intro** (starting with "[D#] Oh-oh-oh-oh") uses arpeggiated **D#m** chords to set the mood. The **verse** (e.g., "Shoh ratein to nahi hain mili") uses a **D#m → Gm → F → Dm** progression, while the **chorus** ("Hai yahi ek dhun") repeats the **D#m → F → Gm** pattern with added melodic fills. The **bridge** (after the second chorus) introduces a **C#m** chord, adding a new layer of tension before returning to the chorus. ## 💡 Pro Practice Tip Focus on **matching the vocal phrasing** with your strumming. For example, in the line "Aas hai jo wo sun le zara," let your strumming rest on the **"sun le"** part to emphasize the word. This subtle dynamic control will make your playing feel more connected to the song’s emotional core. Practice singing along while playing to internalize the rhythm and phrasing.