Body Parts

Last updated: 1/8/2026

🎤 White Ts🎼 Key: D MinorCapo: FirstLevel: Intermediatechords

Learn to play Body Parts by White Ts with these easy guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
Dm--E--C--D--Am--G--F--A#--once

Capo First Fret
Dm My heart was talking to myE head
Said "I've lovedC once I'll never loveD again
Dm And my head at thisE replied,
I'll miss herC too. She was easy on theD eyes
And nowAm all theyG do is
lookC around forF you
AndAm everyG night with
theirC lids closedF tight
They'reAm lost inG dreams,
but they'llC awake andF see
YouAm lyingG next toC me.
MyDm feet could feel it in theirE soles
We've gone tooC far,
and we'll never make itD home
Dm And these hands,
they felt theE same
They held herC once but they let her slipD away
& nowAm all IG do is lookC around forF you
&Am everyG night with myC eyes closedF tight
I'mAm lost inG dreams but I'llC awake &F see
YouAm lyingG next toC me.
If there'sA# one thing I've learned,
it's howF easy the tablesC turn.
And if there'sA# one thing I know,
it's the fineF art of lettingC go.
MyDm heart was talking to myE head
Said I've lovedC once. I'll never loveD aonce gain
& nowAm all IG do is lookC around forF you
&Am everyG night with myC eyes closedF tight
I'mAm lost inG dreams but I'llC awake &F see
YouAm lyingG next toC me.
## 🎸 Song Overview & Key "Body Parts" by White Ts has a melancholic, introspective mood, blending soft rock with emotional depth. With the capo on the first fret, the song is centered around the key of **G major** (though the chords sound in **C major** due to the capo). The tempo is moderate, around **80-90 BPM**, allowing space for expressive strumming and dynamic phrasing. Interesting musical characteristics include the use of **modal interchange** (borrowing chords from parallel modes) and a recurring **call-and-response** structure between verses and choruses. ## 📐 Chord Progression Analysis The chord progression revolves around **Dm, Em, C, D, Am, G, and F**. These chords create a **minor-to-major tension** that mirrors the song’s emotional journey. For example, the verse progression **Dm → Em → C → D** uses the **ii-V-I** motion in C minor (Dm is the ii chord, Em is the iii, C is the tonic), giving it a somber feel. The chorus shifts to **Am → G → F → C**, a **i-VI-VII-IV** progression in G major, adding a bittersweet resolution. Roman numeral analysis shows the movement is **i-ii-VI-III** in the key of C minor (adjusted for the capo), creating a sense of longing and resolution. ## 🖐️ Fingering & Technique Tips For **Dm**, use a **barre chord** on the 3rd fret (index finger) with the 3rd, 2nd, and 1st strings fretted by middle, ring, and pinky fingers. For **Em**, a **barre on the 7th fret** (if using the capo) might be tricky—try a **high-E string open** voicing (0-2-2-0-0-0) for easier fretting. **F chords** (capo’d as G) require a **barre on the 2nd fret**; simplify by using a **partial F shape** (index on 1st fret, middle on 2nd, ring on 3rd). Challenging transitions like **Am → F** benefit from **pre-fretting** the F chord early to avoid hesitation. ## 🥁 Strumming Pattern & Rhythm Use a **hybrid down-up strumming pattern** (↓ ↑ ↓ ↑ ↓ ↑) with a **light touch** to emphasize the verses’ intimacy. In the chorus, add **dynamic swells** by **muting the strings** with your picking hand during the second and fourth beats. The time signature is **4/4**, with a subtle **emphasis on the "and" of beat 2** in the pre-chorus ("& now all I do…"). ## 🎵 Song Structure Walkthrough The song follows a **Verse → Pre-Chorus → Chorus** structure. The **verse** (Dm, Em, C, D) sets the emotional tone, while the **pre-chorus** (Am, G, F) builds tension. The **chorus** (Am, G, F, C) resolves with a brighter sound. The **bridge** (A#, F, C) introduces a modal shift, using the **A# chord** (capo’d as B) for a haunting, unresolved feel. Pay attention to **chord changes on the "and" of beats** during transitions between sections. ## 💡 Pro Practice Tip Practice the **Am → F chord transition** with a metronome, starting at 60 BPM. Focus on **smooth finger movement**—place your pinky on the F chord’s 3rd fret (G string) **before** moving your index finger to barre. This builds muscle memory for the tricky shift, making it feel natural during performances.