Barso Re Megha

Last updated: 26/7/2026

🎤 A.R. Rahman, Shreya Ghoshal, Guru Randhawa🎼 Key: A MinorLevel: Intermediatechords

A beautiful Bollywood song by A.R. Rahman, Shreya Ghoshal, Guru Randhawa with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
Am--G--C--F--Em--E

A5 Naa re naa re
A5 nanna naa re naa re
A5 Nanna re nanna re
Am nanna re na na re
Am Barso re megha megha
Am Barso re megha megha
Am Barso re megha barso
Am Mitha hai kosa hai,
G barish ka bosa hai
Am Kosa hai, kosa hai,
G barish ka bosa hai
C Jal jal jal jal jal
JalG thal jal thal
Chal chal chal
F chal chal Chal chal
G behta chal
Am Nanna reG nanna re
F nanna reG naa naa re
Am Nanna reG nanna re
F nanna re naaG naa re..
Am Barso re megha megha
Am Barso re megha megha
Am Barso re megha barso
Am Gilee gilee gilee haan
Am Haan haan han han haan
Am Gilee gilee maati,
gileeEm maati ke
ChalF gharonde
banayengeAm re
Am Hari bhari ambi,
ambiEm ki dali
Mil keF jhule
jhulayengeAm re ho o
C Dhan baejuG gajni,
F hal jote sabE ne
C Bailon ki ghantiG baji
aurF taal lage bharE ne
ReAm tair ke chali,
mainAm to paar chali
Am Paar waaleG par le
F kinar chali Re megha..
Am Nanna reG nanna re
F nanna reG naa naa re
Am Nanna reG nanna re
F nanna re naaG naa re..
Am Kaali kaali raaten
kaaliEm raaton mein
YehF badarva
baras jaayeAm ga
Am Gali-gali mujhko,
meghaEm dhundega
AurF garaj ke
palat jaayeEm ga
C Ghar aangan angG na
aurF paani kaE jharna
Am Bhool na janaG mujhe,
sabF puchhengeE warna
ReAm behke chali,
mainAm toh behke chali
ReAm kehte chali,
main tohAm kehke chali
F Re megha..
Am Nanna reG nanna re
F nanna reG naa naa re
Am Nanna reG nanna re
F nanna re naaG naa re..
## 🎸 Song Overview & Key "Barso Re Megha" is a soulful, melodic track with a dreamy, rainy-day atmosphere, perfectly capturing the essence of longing and nature’s beauty. The song is in the key of **A minor**, with a gentle, flowing tempo (around 60-70 BPM), giving it a relaxed, almost hypnotic feel. What makes this song unique is its blend of **Indian classical microtones** and Western pop structures, creating a rich, layered sound. The chord progressions often pivot between minor and major tones, adding emotional depth. ## 📐 Chord Progression Analysis The song revolves around **Am** as the central chord, with frequent shifts to **G**, **C**, and **F**. For example, the progression **Am → G → C → F** is a common motif, creating a sense of movement and resolution. In Roman numerals (A minor key), this translates to **i → VII → III → VI**, which is a classic minor-key progression that emphasizes the VII chord’s tension before resolving to the III and VI. The **Am → G** shift (i → VII) is particularly striking—it feels like a “question” (Am) followed by an “answer” (G), a technique common in Indian classical music. ## 🖐️ Fingering & Technique Tips For **[A5]** (power chord), use your 2nd finger on the 5th fret of the D string and 3rd finger on the 5th fret of the A string—this is easier than barre chords. For **[Am]**, use the standard open position (0-2-2-0-0-0) for simplicity. The **[F]** chord (barre at 1st fret) can be tricky; try using a **partial barre** (just the E and B strings) to make it more manageable. When transitioning between **Am** and **F**, practice slowly at first—focus on lifting your fingers cleanly to avoid muting strings. ## 🥁 Strumming Pattern & Rhythm Use a **soft, flowing strumming pattern** like **down-up-down-up** with your fingers or a pick, emphasizing the **2nd and 4th beats** for a rhythmic pulse. In verses, keep the strumming **light and sparse**, especially during lines like *“Barso re megha”*—this highlights the vocal melody. In choruses (e.g., *“Jal jal jal”*), increase the **dynamics** with a fuller strumming pattern, adding **accents** on the downstrokes. The time signature is **4/4**, with a subtle swing feel in the rhythm. ## 🎵 Song Structure Walkthrough The song begins with an **intro** in **[A5]**, setting a gentle mood. The **verse** (e.g., *“Barso re megha”*) uses **[Am]** and **[G]** chords, creating a melancholic tone. The **chorus** (*“Jal jal jal”*) shifts to **[C]** and **[F]**, adding brightness. A **bridge** (e.g., *“Gilee gilee maati”*) introduces **[Em]** and **[F]**, with a more intricate rhythm. Transitions between sections often use **[Am] → [G]** as a pivot, so practice these shifts to maintain flow. ## 💡 Pro Practice Tip Master the **[Am] → [F]** transition by isolating it. Play **[Am]** for two beats, then **[F]** for two beats, using a metronome at 60 BPM. Gradually speed up as you gain comfort—this will help you nail the song’s signature shifts without rushing.