Barbaad
Last updated: 26/7/2026
🎤 Jubin Nautiyal🎼 Key: B MinorLevel: Advancedchords
A beautiful Bollywood song by Jubin Nautiyal with soulful guitar chords and strumming patterns.
Guitar Chords
Key0
Size16
## Chords Used
Bm--F#m--E--D--A
Bm Kamzor ho jaata F#m hoon main
Tuzse F#m door mai ek hi wa E jah ke liye hun
Bm Aawara ban jaata F#m hoon main
Tujhe F#m chu lu to kuch mujhe E ho jaayega
Jo main Bm chahta na ho mujh D ko
Tujhe F#m mil ke ye dil mera E beh jaayega
Isi Bm baat ka darr hai mujh D ko
Ke ho na jaaye F#m pyaar tumse mu E jhe
Kar dega bar Bm baad ishq mu D jhe
Ho na jaaye F#m pyaar tumse mu E jhe
Behad-beshu Bm maaaaaaa D r tumse
F#m Aa-aa-aa- E aa, Bm ho-ho, D ho-ho
In E ghamon ko khatam kar D rahe ho tum
E Haan, F#m haan
In E ghamon ko khatam kar D rahe ho tum
Zakh E mon ka marham ban A rahe ho tum
Meh E soos mujhe aisa D kyun ho raha
Ke Bm meri duniya ban
A rahe ho tum, ban E rahe ho tum
Tere F#m bin kya ye dil ab dha E dak paayega
Puchh Bm ta hoon main ye khud D ko
Tere F#m aane se dard cha E la jaayega
Isi Bm baat ka dare hai mujh D ko
Ke ho na jaaye F#m pyaar tumse mu E jhe
Kar dega bar Bm baad ishq mu D jhe
Ho na jaaye F#m pyaar tumse mu E jhe
Behad-beshu Bm maaaaaaa D r tumse
## 🎸 Song Overview & Key
"Barbaad" is an emotionally charged Bollywood ballad that leans into melancholy and longing, with a slow to moderate tempo (around 60–70 BPM). The song is in the key of **B minor**, which gives it a somber, introspective mood. What makes this track musically interesting is its blend of minor chords (Bm, F#m) and the occasional shift to E major, creating a tug-of-war between despair and hope. The use of the **D major chord** in the chorus adds a dramatic, uplifting contrast, typical of Bollywood’s emotional storytelling.
## 📐 Chord Progression Analysis
The song revolves around a simple but powerful progression: **Bm → F#m → E → D**. Let’s break it down:
- **Bm (i)** sets the emotional foundation.
- **F#m (ii)** adds tension, as it’s the relative minor of G major, creating a sense of yearning.
- **E (III)** acts as a borrowed chord from the parallel major key (E major), injecting a bittersweet twist.
- **D (IV)** resolves the tension, offering a moment of catharsis.
The Roman numeral movement follows **i → ii → III → IV**, which is common in minor-key songs to evoke emotional depth. The shift to **E major** in the chorus (e.g., "In ghamon ko khatam kar rahe ho tum") contrasts sharply with the verse’s minor chords, highlighting the song’s thematic conflict between pain and redemption.
## 🖐️ Fingering & Technique Tips
For **Bm**, use the standard 4-finger voicing:
- Index on 2nd fret (B string), middle on 2nd fret (G string), ring on 4th fret (D string), pinky on 4th fret (A string).
- For easier transitions, try a **3-finger Bm shape** (skip the high E string).
**F#m** can be tricky – use the 3-finger version:
- Index on 2nd fret (B string), middle on 2nd fret (G string), ring on 4th fret (D string).
The **E chord** is straightforward, but practice hammering on the 7th fret (A string) for smoother transitions. The **D chord** (open D) is a good choice for beginners, but if you’re advanced, try a **Dsus4** voicing for a fuller sound.
Challenging transitions? Focus on **Bm → F#m** – practice moving your fingers slowly, ensuring the B string (index finger) stays anchored.
## 🥁 Strumming Pattern & Rhythm
Use a **soft, flowing strumming pattern** with a mix of downstrokes and light upstrokes:
**D D U D D U** (where D = down, U = up).
- **Verses**: Strum gently with a focus on the **Bm and F#m chords**, keeping dynamics soft to match the song’s introspective mood.
- **Choruses**: Increase intensity by adding **accented strums** on the **E and D chords**, especially during lines like "Behad-beshu maaaaaaa r tumse."
- Time signature is **4/4**, with a steady, heartbeat-like rhythm.
## 🎵 Song Structure Walkthrough
The song follows a **Verse → Chorus → Verse → Chorus → Bridge → Chorus** structure.
- **Verse**: Starts with **Bm → F#m → E** (e.g., "Kamzor ho jaata hoon main"). Keep strumming subtle here.
- **Chorus**: Shifts to **E → D** (e.g., "In ghamon ko khatam kar rahe ho tum"). Use dynamic swells for emotional impact.
- **Bridge**: The "Aa-aa-aa" section uses **E → Bm → D**, so experiment with **legato slides** between E and Bm for a smoother, more expressive feel.
## 💡 Pro Practice Tip
Focus on **emotional phrasing** during the chorus. When playing lines like "Behad-beshu maaaaaaa r tumse," let your strumming relax into a **swaying rhythm** (like a slow shuffle), mimicking the song’s pleading tone. This subtle shift in rhythm will make your playing feel more alive and connected to the lyrics.