Ae Dil Mujhe Bata De

Last updated: 28/7/2026

🎤 Neeti Mohan🎼 Key: D MajorLevel: Beginnerchords

A beautiful Bollywood song by Neeti Mohan with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
D--A--G

AeD dil mujhe bata de,
tu kis pe aa gayaA hai
WohA kaun hai jo aakar,
khwaabon pe chhaa gayaD hai
D Masti bhara taraA na,
kyon raat gaa rahiG hai
G Aankhon mein neend aakar
kyonA door jaa rahiD hai
D Dil mein koi sitamgar,
armaan jaga gayaA hai
A Woh kaun hai jo aakar,
khwaabon pe chhaa gayaD hai
D Betaab ho rahaA hai,
yeh dil machal machalG ke
G Shaayad yeh raat beete
A karwat badal badalD ke
D Lal lal laaG lal lal la
A lal lalD laa lal lal laa
D Ae dil zara sambhal jaa,
shaayad woh aa gayaA hai
A Woh kaun hai jo aakar,
khwaabon pe chhaa gayaD hai
D Bheegi hui hawaaA yein,
mausam bhi haiG gulaabi
G Kya chaand kya sitaare,
harA cheez hai shaD raabi
D Dheere se ek naghma
koi suna gayaA hai
A Woh kaun hai jo aakar,
khwaabon pe chhaa gayaD hai
## 🎸 Song Overview & Key "Ae Dil Mujhe Bata De" is a soulful, romantic Bollywood track that leans into emotional depth and melodic storytelling. The song is in **D Major**, a key that feels warm and cinematic—perfect for expressing longing and yearning. The tempo is moderate (around 60–65 BPM), allowing space for expressive strumming and vocal-like phrasing. One standout musical characteristic is the use of **Bm** chords, which add a touch of melancholy to the otherwise major key, creating a contrast that mirrors the song’s narrative of unrequited love. ## 📐 Chord Progression Analysis The chord progression revolves around **D, A, Bm, and G**, with a focus on **I–V–vi–iv** movements (D–A–Bm–G). This progression is common in Bollywood music for its emotional resonance: the **I (D)** and **V (A)** chords provide stability, while the **vi (Bm)** introduces a bittersweet tension. The **iv (G)** acts as a pivot, smoothing transitions back to the tonic. For example, in the verse “Ae [D] dil mujhe bata de, tu kis pe aa gaya [A] hai,” the movement from **D to A** creates a natural sense of urgency, while the **Bm** in the next line (“Woh [Bm] kaun hai jo aakar”) adds a haunting quality. This interplay between major and minor chords is key to the song’s emotional storytelling. ## 🖐️ Fingering & Technique Tips For **D Major**, use your **index finger on the 2nd fret of the G string** and **ring finger on the 2nd fret of the B string**—this gives a fuller sound than the basic open D. The **Bm chord** can be tricky: place your **index finger on the 2nd fret of the G string**, **middle finger on the 3rd fret of the high E string**, and **ring finger on the 3rd fret of the B string**. If this feels tight, try using a **barre chord** (1st fret) for easier transitions. The **A and G chords** are standard open shapes, but pay attention to **clean finger placement** to avoid muddying the sound. Practice **smooth transitions** between D and Bm slowly at first—these are the most challenging shifts in the song. ## 🥁 Strumming Pattern & Rhythm Use a **gentle, flowing strumming pattern** with a mix of downstrokes and light upstrokes, like **D-D-U-D-U-D** (where D = down, U = up). In the **verses**, keep the strumming soft and sparse to highlight the lyrics. In the **chorus** (“Woh kaun hai jo aakar…”), add more **dynamic intensity** by strumming slightly harder and emphasizing the **A and D chords**. The time signature is **4/4**, with a steady pulse that mirrors the song’s emotional rhythm. ## 🎵 Song Structure Walkthrough The song follows a **Verse–Chorus** structure, repeating the chorus after each verse. The **intro** (first two lines) sets the mood with a simple **D–A–D** progression. The **verse** (“Ae [D] dil mujhe bata de…”) uses the **D–A–Bm–G** cycle, while the **chorus** (“Woh kaun hai jo aakar…”) repeats the **D–A–G–A–D** pattern for emphasis. The **bridge** (“Lal lal la…”) uses a **call-and-response** feel, alternating between **D and A** with rapid, staccato strumming. Pay attention to **dynamic shifts** between verses and choruses to mirror the song’s emotional arc. ## 💡 Pro Practice Tip Focus on **singing the melody while playing**—this will help you internalize the phrasing and timing. For example, when singing “khwaabon pe chhaa gaya [D] hai,” let your strumming follow the natural rise and fall of your voice. This technique not only improves your timing but also helps you connect emotionally with the music, making your playing more expressive.