Aane Wale Saal Ko Salaam

Last updated: 26/7/2026

🎤 Hemant Kumar🎼 Key: A# MinorLevel: Intermediatechords

A beautiful Bollywood song by Hemant Kumar with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
A#m--G#--F#--F

A#m Hey aane wale saal ko salaam
A#m Jaane wale saal ko salaam
A#m Naye saal ka
A#m Ho naye saal ka pehlaG# jaam
AaapkeA#m naam
A#m Happy new year (Happy new year)
G# Happy new year(Happy new year)
F# Happy happy happy
G# Happy newA#m year
A#m Ho naye saal ka pehlaG# jaam
AaapkeA#m naam
A#m Chehron par chehre anF jaane
F Kaun kisi ko ab pehA#m chane
A#m Chehron par chehre anF jaane
F Kaun kisi ko ab pehA#m chane
G# Kiske dil meinA#m kya hai jaane
G# Aaj nigaahonA#m se lete hain
A#m Log zubaan ka kaam
AapkeA#m naam happy new year
A#m Ho naye saal ka pehlaG# jaam
AaapkeA#m naam
Arre bade miyan ka haal to dekho
Uff yeh umra yeh chal to dekho
A#m Masti mein hain sabF mastane
F Yaar naye kuchh dostA#m purane
A#m Masti mein hain sabF mastane
F Yaar naye kuchh dostA#m purane
G# Shayar aashiqA#m aur deewane
G# Ek jagah par jama huye hain
A#m Shehar ke sab badnaam
AapkeA#m naam happy new year
A#m Ho naye saal ka pehlaG# jaam
AaapkeA#m naam
Haan to main kya keh raha tha
Huzoor aap Anand Bakshi ki likhi
Tota maina ki kahaani suna rahe the
Sunaiye na
Arre haan
A#m Phir tote se boliF maina
F Yaad rahegi aaj kiA#m raina
A#m Phir tote se boliF maina
F Yaad rahegi aaj kiA#m raina
G# Naye saal kaA#m oye kya kehna
G# Bhor bhayi sab panchhi jaage
A#m Jaago ho totaram
AapkeA#m naam happy new year
A#m Ho naye saal ka pehlaG# jaam
AaapkeA#m naam
A#m Happy new year (Happy new year)
G# Happy new year(Happy new year)
F# Happy happy happy
G# Happy newA#m year
## 🎸 Song Overview & Key "Aane Wale Saal Ko Salaam" is a vibrant, celebratory song with a warm and festive mood, perfect for New Year gatherings. The song is in the key of **A# minor** (though it’s enharmonically equivalent to Bb minor, we’ll stick with the provided chord names). The tempo is moderate, around **90–100 BPM**, allowing for smooth phrasing and lyrical flow. What makes this song unique is its blend of **Indian classical inflections** and **Western pop structure**, with a focus on **A#m and G# chords** that create a rich, resonant sound. The chord progressions often resolve between A#m and G#, giving it a sense of longing and joy typical of Bollywood’s emotional depth. ## 📐 Chord Progression Analysis The song revolves around **A#m, G#, F#, and F chords**, with A#m as the tonic. The progression often moves from **A#m → G# → F# → A#m**, creating a **i – VII – VI – i** pattern in the key. This movement gives the song a bittersweet, reflective quality, especially in verses like *"Chehron par chehre an jaane"*. The **G# chord** acts as a dominant-like resolution to A#m, while the **F# and F chords** add color and tension. Roman numerals help clarify this: - **A#m (i)**: The foundation of the song. - **G# (VII)**: Creates a tense, unresolved feel. - **F# (VI)**: Adds brightness and contrast. - **F (III)**: Smooths transitions and adds warmth. These chords work together because they’re all **relative minors/majors** within the key, creating a cohesive, melodic flow. ## 🖐️ Fingering & Technique Tips The **A#m chord** (root on the 4th fret of the D string) is a barre chord, so ensure your index finger is flat and firm across the 4th fret. For easier playability, use a **partial barre** (just the E, A, and D strings) and let the B and G strings ring open if needed. The **G# chord** (barre on the 6th fret) can be tricky—practice placing your index finger on the 6th fret and using your ring finger on the 8th fret for the B string. A challenging transition is **A#m → G#**, as both require barre chords. Practice this slowly with a metronome, focusing on **even finger movement**. For the **F# and F chords**, use open-string voicings (e.g., F# as a 2nd-fret barre with the 4th finger on the A string) to simplify fingerings. ## 🥁 Strumming Pattern & Rhythm Use a **down-up strumming pattern** with a **light, bouncy feel**: **D – U – D – U – D – U – D – U**. In verses, keep the strumming **soft and rhythmic**, emphasizing the off-beats. In choruses like *"Happy new year"*, increase the **dynamics** and add **syncopation** on the "Happy" syllables. The time signature is **4/4**, with a steady pulse that matches the lyrical rhythm. ## 🎵 Song Structure Walkthrough The song follows a **Verse → Chorus → Verse → Chorus** structure, with repeating motifs in the chorus. The **intro** uses the **A#m → G#** progression, setting the mood. The **verse** ("Chehron par chehre an jaane") uses the **A#m – F# – F – A#m** pattern, while the **chorus** ("Happy new year") stays on **A#m – G#** for a celebratory feel. The **bridge** ("Arre bade miyan ka haal to dekho") introduces a **G# – A#m** resolution, creating a dramatic pause before returning to the chorus. Pay attention to the **"Ho naye saal ka pehla jaam"** line—it’s a great spot to add **hammer-ons or slides** for flair. ## 💡 Pro Practice Tip Focus on **smoothing the A#m → G# transition** by practicing it with a **metronome at 60 BPM**. Use your **middle finger** to fret the G string on the 6th fret for G#, and let your **index finger** stay on the 4th fret for A#m. Once comfortable, gradually increase the speed while maintaining clean, even strumming. This will help you nail the song’s signature emotional contrast!